
Prantl
styled images and hundreds of product page photos for a letterpress stationery range
Styled product photography that makes your brand look premium.
I'm a product photographer in Vienna, working with brands and online shops. I make the images that give a product its feeling: the ones people connect with, remember and buy.

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Styled product photography places your product in a scene. Props, surfaces, light and composition are chosen to tell a story about it: where it belongs, who it is for and how it feels to own. These are the hero images of a product range, used on homepages, in adverts, on packaging, in print and across social media.
Styled images work at the top and middle of the funnel. They stop people scrolling, create desire and set your product apart from alternatives that may look similar on a white background. They also carry your brand. The colours, materials and mood of the scene tell a customer whether you are premium, playful, natural or technical before they read a word.
Each shoot starts with a mood board and a shot list, so the look is agreed before anything is built. I design the lighting for the material in front of me, whether that is reflective glass, polished metal or soft fabric, and build each set with care, working with a stylist where the project calls for one. You can follow the images on screen during the shoot, and each final image is retouched to a high standard.
For 58 Chocolate I took a single espresso bar and gave it a world: bars and roasted beans frozen in mid air, a bed of beans, the bar in a hand. See the 58 Chocolate project.
Shop images show your product exactly as it is. Clean, evenly lit and consistent, usually on a white or neutral background, they give customers the views they need: front, back, sides, details, scale and packaging. They are the working images of online retail, and for many customers they are the only look at the product before it arrives.
This is bottom of the funnel photography. A customer on a product page is close to buying, and clear, accurate images remove the last doubts. True colour and visible detail set the right expectations, which supports sales and helps keep returns down. Consistent images across the range also make your shop look professional and meet the requirements of marketplaces that set their own image standards.
I photograph each item from an agreed set of angles, with colour kept accurate from camera to final file. Larger ranges are planned around a product list and a fixed setup, so every image matches and the work moves efficiently. Files are delivered in the sizes and formats your shop system needs. If you want styled hero images of the same products, both can be planned and quoted as one production.
For Prantl, a letterpress stationery brand, I photographed the whole range in two parts: styled images to set the tone, then hundreds of product images for the individual product pages, every one on the same background in the same light. See the Prantl project.
Some products only make sense when you see them used. Photographs of clothing being worn or products in someone's hands show fit, scale and function in a way a still life cannot. This covers on-model photography for apparel, and lifestyle product images for everything from drinks and cosmetics to tools and technology.
These images sit between inspiration and purchase. They help a customer imagine the product in their own life, answer practical questions about size and use, and add a human element that makes a brand easier to relate to. On a product page they complement the clean shop images, and they are a natural fit for adverts and social media, because people look at people.
I plan these shoots with a shot list that pairs each product with a situation and a model, in a studio or on location. Casting, styling and locations are organised by me or by your team, whichever suits the project. On set I direct the models so the product stays the focus of every frame. Short product videos can be added to the same production and quoted with it, if you want moving images for your shop and social channels too.
For Ragware I photographed their jackets in the studio and on location in Vienna. See the Ragware project.
You're not hiring a camera. You're hiring someone who knows what the images have to do, and has done it before.
Image licensing is agreed before the shoot and written into your offer.
Request an offerA proven process, from first conversation to finished images.
Phase 1
We start with the product: what's different about it, who it's for, what the images need to say. Which kinds of images you need (styled, plain background, with people) and how they'll stay consistent across all of them. Then you get a tailored offer.
Phase 2
You gather what you like; I come back with a mood board and a visual response to your brief, so you can see how I'll approach it before anything is shot. Where budget and time allow, we photograph 1 or 2 products first, in a few variations, agree the direction together, then roll it out across the range.
Phase 3
You send the products, or we shoot on location. I source the props and do the styling; on larger productions a product stylist joins us. With a team and a studio, you're on set to see the images as they come in and sign off the direction as we go.
Phase 4
The images are edited, then every final image is retouched: dust, scratches, reflections, colour matched to the real product. Most projects are delivered within 1 to 2 weeks. A range of hundreds of products takes longer, and the timeline is agreed in your offer.
Trust, reliability and quality are the values I've built my reputation on. So you can relax knowing your project is in safe hands.
I highly recommend Matt; working with him is always perfect. His calm, reflective, and unassuming manner is very pleasant, and he truly understands his craft.
I only work with him as a partner for photo and video shoots now. He is absolutely professional and has the necessary passion.

Markus Bauer
Co-Founder, Design You
From team portraits to promotional videos and press photos, we worked with Matt on all of our projects last year, and we’re extremely impressed with the high quality of his work and how easy it was to collaborate with him.

Felix Ambros
Co-Founder, Thinkubator
We absolutely love working with Matt, he has a real talent for capturing the right moments. The quality of the photos and videos is truly outstanding, and working with him is always a breeze. Thank you!

Alexandra Kick
Co-Founder, Thinkubator
Over the past few years I have tried many photographers for different occasions.
Amount all I have to say Matt is by far the most creative and experienced photographer.
On top of that he is very punctual, easygoing and a nice person.
Very glad to have have found someone professional who gives you high quality and creative pictures.

Mani Doustdar
Small Business Owner
I'm absolutely delighted with the photos for my new practice website. The shoot included individual portraits, team photos, action shots, and architectural photography, everything was executed with great professionalism and a fantastic eye for detail.
It was especially convenient that we could follow the images live on an iPad during the shoot. This allowed us to immediately select favourites and make minor adjustments on the spot.
The atmosphere was pleasant, relaxed, and highly professional. The result is a collection of natural, expressive photos that perfectly capture the character of my practice. Thank you so much for the outstanding work!

Doctor
Doctor’s Practice
The questions I get before most projects.
It depends on the project: how many products, how much styling each image needs, whether we need models or a stylist, and where the images will be used. You get a clear, tailored offer after our first call. No surprises after it.
On smaller projects, no: the direction is agreed before anything is shot, you send the products, and the finished images come to you. On larger productions, with a team and a studio, I recommend you're there, so you see the images as they come in and sign off as we go.
Usually both, in the same project: styled images to create the feeling, product images on a clean background to show the detail. We decide the mix in the first conversation.
Yes. The chocolate bar, the bottle, the jar, the pack: food and drink products for brands, photographed for their websites, print and advertising.
Yes. Send me what's already in your shop and your brand guidelines, and I match the background, light and framing so the new images sit naturally next to the old.
Yes. The setup is recorded for every range I shoot, so a product added in 6 months or 2 years matches the rest.
It depends on the images. A consistent product page setup covers a lot of products in a day; a styled image with motion or a built set takes its time. We plan it in the shot list, so you know what's possible before we start.
Tell me what they are and we plan the shoot around them, including where it happens and how they get there.
Wherever your licence covers. Image licensing is agreed before the shoot and written into your offer, so there are no surprises later.
English, my native language. Briefs and documents in German are no problem.
Yes. Products can be sent to me from anywhere in Europe and the UK, and I travel for shoots on location.
Yes. Video is a separate service, planned and quoted on its own, in the same look as your photos.
Related services: Brand & Advertising Photography · Video Production
It starts with a short discovery call: your product, your brand and what the images need to do. From there I put together a tailored, no-obligation offer.
Book a discovery call